Professor Richard Sherwin
New digital technologies are altering the way law is
practiced and taught. Images are increasingly becoming a regular part of
the way law teachers impart information (in class and out) and the way
lawyers communicate and argue (in court and out). Thinking in images,
however, is different from thinking in words alone, and competency in the
production and interpretation of images is not a given. Like the art of
writing and reading words, visual literacy also requires deliberate
cultivation. That is the objective of this course. Students will cultivate
through hands-on visual production the skill set that lawyers need for
effective visual communication and advocacy in the digital age. We will
read across several disciplines (including cognitive studies, art history,
the semiotics of advertising, popular culture studies, etc.) while also
engaging in basic visual training (including the rudiments of camera work,
lighting, sound, and digital editing). We will work collaboratively as a
seminar and in the Digital Media Lab. Each student will engage in a
project that will require the application of various visual competencies.
Student projects may include: the production of demonstrative evidence or
closing visual arguments in connection with actual cases, short film
documentaries on specific legal topics or current cases or controversies,
as well as additions to the “Living Law Archive”, an earlier
student project that features film interviews of accomplished and upcoming
NYLS alums speaking about their legal careers and aspirations in the
profession. Student projects may serve as intriguing additions to their
job marketing portfolio while also contributing to a growing visual
archive of online material dedicated to classroom use or online
supplements in particular law courses, as well as topics of interest to
lawyers, judges, policy makers and the general public. No previous
background in visual production is required.