Fall 2012 | Spring 2013 | Summer 2013
Curious about current issues in Intellectual Property? Want to join a controversial conversation about Intellectual Property?
185 West Broadway, W201 (Events Center)
To Register, click here.
Fee:
This CLE program has been approved for a maximum of four hours of CLE credit for both transitional and non-transitional attorneys. New York Law School offers tuition assistance for attorneys who may have difficulty attending CLE events due to cost considerations. Please visit: http://www.nyls.edu/academics/cle/tuition_assistance to see if you qualify.
12:30 p.m. - 12:45 p.m.
Opening Remarks
12:45 p.m. - 1:45 p.m.
Overview of
Current Legal Developments in the Sports Industry
(1 CLE Credit -
Ethics and Professional Practice)
2:00
p.m. - 3:00 p.m.
Breakout Sessions
Intellectual Property Issues in Sports (W420)
(1 CLE Credit -
Professional Practice)
Negotiating
Rights Acquisitions (W320)
(1 CLE Credit - Professional
Practice)
Bankruptcy Issues in Sports
(W220)
(1 CLE Credit - Professional Practice)
3:10 p.m. - 4:10 p.m.
Anaylsis and Impact of the Concussion
Litigation
(1 CLE Credit - Professional Practice)
4:20 p.m. - 5:20 p.m.
Sports Labor
Negotiations
(1 CLE Credit - Professional Practice)
5:30 p.m. - 6:20 p.m.
Breaking Into the
Sports Industry
6:30 p.m. - 8:00 p.m.
Networking Reception
Monday September 24 at 7:30pm
Register here.
Wednesday, April 25, 2012
6:30 – 8:00 pm
Faculty Commons, W203
185 West
Broadway
They don’t call ’em signature
moves for nothing! Or maybe they do.
Recent publicity around
the Bikram Choudhury v. Yoga to the People dispute has taken yoga from the
studio to the courtroom, raising many questions about the possibility of
securing IP protections for yoga and dance moves. The founder of Bikram
Yoga sued the New York city-based yoga studio for copyright infringement,
alleging it copied his style of spiritual exercise.
Does he
have a case? What about ballet? Or dance routines more generally? Can
creators of yoga moves and dance routines really use IP to secure
exclusive rights over these non-static forms of expression? Please join
the IILP for an exploration into the world of IP, yoga, and
dance.
Speakers include:
Charles Colman,
Charles Colman Law PLLC
Katherine M. Lyon, Associate, Colucci &
Umans
Brendan Mee, Principal, Brendan Mee Law, P.C.
Tuesday, April 17, 2012
1:00 PM
– Understanding the Many Facets of Social Media and its Effect on
Businesses Today
• Liisa Thomas, Winston & Strawn
• Kathryn Farrara, National Advertising Division
•
Brian Chase, General Counsel, Four Square
• Tom Chernaik, CEO,
CMP.LY
2:30 PM – Negotiating Talent Contracts for
Advertising & Media Purposes
• Brian Murphy, Frankfurt
Kurnit Klein & Selz
• Annmarie Cullen, Dir. of Integrated
Business Affairs, Anomaly
• Jennifer Estabrook, Executive VP
Business Operations, Fila
3:45 PM – Behavioral Tracking
– Who’s Watching You? How Do They Do It?
• Ted
Lazarus, Senior Counsel, Google
• Stephen Kline, Sr. Counsel,
Omnicom
• Sal Tripi, AVP Digital Operations & Compliance,
Publisher’s Clearing House
5:00 PM- Cocktail /
Networking Reception
~~~~~~~
Please R.S.V.P. to Naomi.Allen@nyls.edu
This event will be at the New York Law School 2nd Floor Events Center
185 West Broadway
For the most updates, please visit our AdNauseum
Blog @ http://www.adnauseumblog.org/events/
Or e-mail us at - AdNauseumNYLS@gmail.com
CLE Credit WILL be available!
Monday, April 9, 2012 @ 4:00
PM
New York Law School, April 9, 2012
185 West Broadway, New York, NY 10013 (Map)
2nd Floor Events Center, 4:00 - 8:00 p.m.
The Copyright Act protects “original expression,” but what is considered “original”? From Girl Talk to Richard Prince, artists are continually borrowing elements of other works to shape their own. Call it “remix,” “mashup,” “appropriation,” or “transformative”—drawing the line between infringement and fair use can be murky!
Join artists, attorneys, and academics for two panel discussions about the ways in which today’s ever-changing technologies have both facilitated the spread of creative work and sparked new debate over the current state of the Copyright Act.
Approximate Timeline:
330 - 400 Sign-In/Registration
400 - 515: Panel I
515 - 530: Break/Cookies/Coffee
530 - 645: Panel II
645 - Onward:
Reception/Beer/Wine,etc
*CLE credit will be available.
We see it all the time on YouTube: people communicating through shared content without permissions. Although the Copyright Act attempts to balance culture and commerce through exclusive incentive models and fair use defenses, the law just doesn’t seem to be keeping up with the way end users, developers, and content creators operate in the digital sphere. Attributing the original creator can be difficult when there is such a surplus of information on the web and when much of it is built off of preexisting works. What is original anymore? With the influx of innovative technologies comes new opportunities for artists and creators to earn a living, but it is often on the fringes of traditional copyright laws. This panel will gather artists, technologists, lawyers, and students to discuss how the law operates within these new business models, where the confusion sets in, and what needs to be done moving forward.
Panelists:
Before Cariou v. Prince, most copyright infringement claims associated with appropriated works were settled out of the court. However, after Judge Batts’ ruling in favor of the plaintiff, the debate in the art community over copyright law became heated. The Copyright Act allows a fair use defense for certain transformative works; however, how do the courts decide what constitutes “transformative?” Many judges are looking to the artist to comment on their own works to validate their transformative value; however, this often runs counter to the creative methods and ideas behind the artwork. This begs several questions. What gives a work its meaning? The artist’s intention, the viewer, or the context of the work itself? How should a judge make these decisions about art? Should the “transformative” requirement be taken out of the picture entirely? Is market effect the real issue here when it comes to the art world? This panel will bring together artists, lawyers, professionals, and students to discuss the subjective nature of fair use determinations and their effects on the art community.
Panelists:
Please RSVP to Naomi.Allen@nyls.edu.
Co-Sponsored by the International Intellectual Property Society
Tuesday, March 27, 2012
Faculty Commons, W201
185 W. Broadway St
6:00- 8:00
pm
Is current U.S. copyright law effectively dealing with
online piracy? What laws have countries such as France, United Kingdom,
and Spain implemented to address the piracy issue? Has anyone found the
solution?
Our program will address various international approaches to copyright law regulation as a means to combat piracy. Our discussion will focus on recent legislation such as HADOPI (three strikes) in France, the now-abandoned PIPA/SOPA in the United States, Sinde Law in Spain, and international treaties such as ACTAe. Panelists will compare the effectiveness of these approaches and the impact that it has on curbing online piracy.
Speakers Include:
Jonathan Lutzky, Esq., Associate, Entertainment, Intellectual Property, Licensing, Corporate, MasurLaw
Marie-Andrée Weiss, Law Offices of Marie-Andrée Weiss
Professor Peter Yu, Kern Family Chair in Intellectual Property Law Director, Intellectual Property Law Center, Drake University Law School
Moderated by Professor Molly Land, Associate Professor of Law, New York Law School
To RSVP, please email Naomi
Allen at naomi.allen@nyls.edu
by Tuesday, March 20th.
9:00–9:45 a.m. Free and Open Source Software (FOSS)
Licensing and Licenses
This lecture covered the origins of
the FOSS movement and explores the differences between the major FOSS
licenses while explaining how software created and distributed under FOSS
licenses should be accommodated in traditional software development and
licensing practices.
Terry Ilardi is Copyright Counsel for IBM
Corporation, and is responsible for handling copyright and open source
matters. He is a registered U.S. patent attorney and has been involved in
patent, trademark, copyright, and technology licensing throughout his
career.
9:45–10:30 a.m. Character Licensing
This discussion examined the objectives of
character licensors and licensees.
Jay Kogan is the VP of Business
& Legal Affairs and Deputy General Counsel for DC Entertainment (DC
Comics and MAD magazine). He also serves as chief intellectual property
counsel, as his primary areas of practice include rights acquisition,
publishing, and licensing.
10:30–10:45 a.m. Break
10:45–11:30 a.m. Licensing to Prevent/Resolve Patent Litigation
Examined patent dispute
resolutions and key provisions of the resulting license-settlement
agreements.
Mark Webbink is a visiting professor at New York Law
School and Executive Director of the Center for Patent Innovations. He
previously served as Senior VP and General Counsel of Red Hat, Inc. His
legal career has focused on intellectual property
transactions.
11:30 a.m.–12:30 p.m. Lunch
12:30–1:15 p.m. IP Licensing in Fashion
This presentation described the role of IP
licensing in the fashion industry and the approach taken to develop a
business and legal understanding of each agreement.
Karen Artz Ash
‘80 is the National Co-chairperson of the IP Department at Katten
Muchin Rosenman, LLP, and Chairperson of its National Pro Bono Committee.
Her primary practice is in the fashion industry where she focuses on
licensing and related domestic and international commercial transactions
and consults with the editors of Women’s Wear
Daily.
1:15–2:00 p.m. Motion Picture Licensing in a Digital World
An overview of the life cycle of an item of
intellectual property and the complexities of licensing in an increasingly
fragmented digital marketplace.
Larry Sapadin is Vice President of
Business and Legal Affairs at Entertainment One U.S., a leading
independent producer and distributor of music, motion pictures, and
television for all media, including digital, theatrical releasing, CD,
DVD, and TV worldwide. Sapadin is responsible for Entertainment
One’s acquisition and license agreements in the U.S.
Thursday, March 8, 2012
12:45pm-2:00pm
40 Worth St., Room SW930
Lunch will be
served.
What does it take to be a patent attorney? Is a science background really necessary to practice patent law? Can I take the patent bar before I graduate from law school? What is the differene between patent prosecution and litigation?
Patent law can be intimidating -- but it doesn't need to be. Robert Czarnecki '06, Associate at Fitzpatrick, Cella, Harper & Scinto, discussed his career in the field of patent law.
IP Surprise: Tattoos -- Fleshing Out Copyright Law
Tuesday, Nov 15, 2011
W 202 (Events Center)
6:00 - 8:00
PM
The recent publicity surrounding the tattoo design on Mike
Tyson's face and the alleged infringment with Hangover II brings forth
many questions: Can a tattoo be copyrighted? Is a person's flesh a
tangible medium of expression? Who owns the rights to a tattoo once it has
been inked?
These questions and more are left unanswered by the
Copyright Act. Therefore, how should the courts judge the validity of
tattoo infringement claims? More importantly, how can an attorney predict
how the courts will act? The goal of this even is to flesh out these
issues and more.
Speakers Include:
• Marisa Kakoulas, Esq
(author of Tattoo Law, forthcoming)
• Michelle Myles (NYC-area
tattoo artist)
And joining the discussion through Skype:
• Michael Kahn, Esq. (represented Victor Whitmill, the tattoo
artist behind Mike Tyson's facial tattoo in Whitmill's suit against Warner
Bros.
Register here: [http://www.nyls.edu/sportslaw]
Friday, November 4, 2011
12:30 p.m. - 8:00 pm
New York Law
School, 185 West Broadway, NY
2nd Floor Events Center
Industry leaders will engage in panel discussions involving current
legal issues in the sports industry including the legal infrastructure of
developing and growing professional sports leagues, amateurism issues in
collegiate sports, intellectual property management of sports and
entertainments brands, and athlete agent regulation and enforcement.
Panelists will also offer perspective on breaking into the legal side of
the sports industry. A networking reception will follow the day’s
events.
Program:
12:30 p.m. - 12:40 p.m
Opening Remarks
12:45 p.m. - 1:45 p.m. Overview of Current Legal Developments in the Sports Industry (1 CLE Credit)
2:00 p.m. - 3:00
p.m. BREAKOUT SESSIONS
• Financial and Tax Considerations in
Representing Professional Athletes (1 CLE Credit)
• Intellectual
Property Issues in Sports (1 CLE Credit)
• Athlete Agent
Regulations and Enforcement (1 CLE Credit)
3:10 p.m. - 4:10 p.m. Legal Infrastructure of Developing and Growing Professional Sports League (1 CLE Credit)
4:20 p.m. - 5:20 p.m. Amateurism Issues in Collegiate Sports (1 CLE Credit)
5:30 p.m. - 6:20 p.m. Breaking Into the Sports Industry
6:30 p.m. - 7:45 p.m. Networking Reception
Monday, November 7, 2011
6:00-8:00pm
185 W. Broadway, W203
Co-Sponsored by The
Metropolitan Black Bar Association (MBBA), the New York State Bar
Association's Entertainment, Arts and Sports Law (EASL) Section Diversity
Committee and the Black Entertainment and Sports Law Association
(BESLA).
Attorneys, Business & Legal
Executives, and Industry Experts provide insights and insider perspectives
on key legal issues and deal points encountered in the Reality TV
Industry. Panelists will engage in a mock negotiation, followed by
discussion and open Q&A.
Panelists
include:
Stephen Harris, A&E Television
Traci Wilkes Smith, Esq., Willinger Talent Agency
Erika Munro Kennerly, Esq., TruTV /Turner Entertainment
Tiffany Bank, Cast Member of
TLC's Reality Series "Big Sexy"
**Application
for accreditation of this program in New York is currently pending.This
program is transitional and appropriate for Experienced and Newly Admitted
Attorneys for a maximum of 1.50 credit hours/professional practice. No
credit shall be awarded for attending a portion of this program.
Tuesday, November 1, 2011
6:00 p.m.–8:00
p.m.
W201 (185 West Broadway)
Copyfraud is asserting
false claims of copyright to control works not in one’s legal
domain. Overreaching claims are a distinct problem in intellectual
property; publishers, artists, producers, and others claim rights that are
stronger than the law allows, thereby abusing intellectual property rights
and misinforming the public.
Join Brooklyn Law School
Professor Jason Mazzone as he talks about his new book, Copyfraud and
Other Abuses of Intellectual Property Law, and discusses the depth of this
issue and proposals on how to solve it. Books will be available for
purchase at the event.
RSVP to Naomi Allen at
Naomi.Allen@nyls.edu by October 24, 2011.
Friday, October 21, 2011
9:00 a.m. - 4:15 p.m.
Events Center, 2nd Floor
Program:
Breakfast: 9:00 am —
9:30 am
Welcome: 9:30 – 9:45
Panel 1: “Visualizing
Legal Scholarship” [9:45 am -- 11:15 am]
Break: 11:15am – 11:30 am
Panel 2: “Law in the Age of the Digital Baroque” [11:30 am -- 1:00 pm]
Lunch: 1:00 pm — 1:45
pm
Panel 3: “Visual Literacy for Lawyers” [1:45 pm -- 3:15 pm]
Wine & cheese reception: 3:15 pm – 4:15
pm
CLE Credits are available. Breakfast and Lunch will be
provided. Click here to
register.
Wednesday, October 19,
2011
6:00 p.m. - 8:00 p.m.
W202 (185 West Broadway)
Are you interested in intellectual property but unsure
about your career or internship options? Thinking about hanging out your
shingle? Or taking a nontraditional career in IP? Are you an IP
entrepreneur?
Join our panel of young IP practitioners as we discuss
various job opportunities within the IP field and how to prepare yourself
for them.
Speakers Include:
• Ryan Lewis, Esq.
• Mike Murphy, Esq '10
• S. Cortlandt Urquhart, Esq.
'06